STAY
Don’t be still my beating heart.
This heart being squeezed in to funding bids, emails and
trying to articulate the magic and the margins in the English language.
This heart wondering how to serve the troubles in all their glorious colours and flavours, scared to really beat to a pulse that could break glass, and
tired of having to avoid the right kind of stillness.
The kind it needs to survive.
You know, the kind of stillness that lets you rest so deep in to mother earth
that you rest even more deeply in to god. The god that is born of soil and desert, is born of tears and longings, born of humblings and surrender. That
non-binary god who queers all the ideas we ever had of god…
Oh please don’t ‘be still my beating heart’, this heart
that hears other poets, other women, other
others singing of other others who in their naming make me
whole.
Because this heart’s liberation really fucking is wrapped up
in other others, in mycelial mysteries and
the lives of the miners behind the screen you’re probably reading this on.
And this heart’s liberation gets lost in seeing
the sea of us all. Gets stopped in the depths of that sea. Gets known in
being that sea. In being troubled by all the troubles, paralysed by all the troubles, blinded by choice, swept up by love, by loneliness, by her own otherness.
This beating heart.
This god incarnate.
Troubled, loving, broken, beautiful, pulsing…
(one morning – unedited – having been woken from a slump by Peter Bearder’s interview with Salena Godden and then listening to her poem “Sorry to trouble you” and remembering that poetry is the place I am most free. Next to dancing… Thanks Pete and Salena)
Photo by Sasha Zvereva